1 Religious Icon, George Klontzas' Three Church Hierarchs, with footnotes #12

George Klontzas (1540 – circa 1608)

Three Church Hierarchs; St Basil The Great, St John Chrysostom and St Gregory the Theologian, Cretan, late 16th century

Tempera on wood

Private collection

The Saints are depicted against a gold ground, in frontal position with elongated bodies and relatively small heads, each making a blessing gesture and holding a jewelled closed Book of Gospels, robed in precious bishop's garments with striking geometric ornament of crosses set within squares and circles of a type worn during the Byzantine period. More on this painting

The Three Hierarchs of Eastern Christianity refers to Basil the Great, Gregory the Theologian and John Chrysostom. They were highly influential bishops of the early church who played pivotal roles in shaping Christian theology. In Eastern Christianity they are also known as the Three Great Hierarchs and Ecumenical Teachers, while in Roman Catholicism the three are honored as Doctors of the Church. The three are venerated as saints in Eastern Orthodoxy, Catholicism, Anglicanism, and other Christian churches. More on Three Church Hierarchs

Basil of Caesarea, also called Saint Basil the Great (330[8] – January 1 or 2, 379), was a Byzantine bishop of Caesarea Mazaca in Cappadocia, Asia Minor (modern-day Turkey). He was an influential theologian who supported the Nicene Creed and opposed the heresies of the early Christian church, fighting against both Arianism and the followers of Apollinaris of Laodicea. His ability to balance his theological convictions with his political connections made Basil a powerful advocate for the Nicene position.

In addition to his work as a theologian, Basil was known for his care of the poor and underprivileged. More on Basil of Caesarea

John Chrysostom ( 347 – 14 September 407) was an important Early Church Father who served as archbishop of Constantinople. He is known for his preaching and public speaking, his denunciation of abuse of authority by both ecclesiastical and political leaders, Divine Liturgy of Saint John Chrysostom, and his ascetic sensibilities. Chrysostom was among the most prolific authors in the early Christian Church.

He is honoured as a saint in the Oriental Orthodox, Eastern Orthodox, Catholic, Anglican, and Lutheran churches, as well as in some others. The Eastern Orthodox, together with the Byzantine Catholics, hold him in special regard as one of the Three Holy Hierarchs (alongside Basil the Great and Gregory of Nazianzus). More on John Chrysostom 

Gregory of Nazianzus (329 – 25 January 390), also known as Gregory the Theologian or Gregory Nazianzen, was a 4th-century Archbishop of Constantinople and theologian. He is widely considered the most accomplished rhetorical stylist of the patristic age. As a classically trained orator and philosopher he infused Hellenism into the early church, establishing the paradigm of Byzantine theologians and church officials, More on Gregory of Nazianzus

Georgios Klontzas (1535-1608) was a scholar, painter, and manuscript illuminator. He is one of the most influential artists of the post-Byzantine period. He defined the Cretan Renaissance. He worked for both Catholic and Orthodox patrons. His artistic output included: icons, miniatures, triptychs, and illuminated manuscripts. He is known for occupying his icons with countless figures. The technique is extremely complex and unique to Klontzas. Andreas Pavias attempted this technique in the Crucifixion of Jesus. Klontzas's painting All Creation rejoices in thee is his most popular work. Klontzas influenced Theodore Poulakis he created an extremely similar painting called In Thee Rejoiceth. Klontzas's work is strongly influenced by the Venetian school. His triptychs strongly resemble the works of Gentile da Fabriano, namely the Intercession Altarpiece. Klontzas's Last Judgement resembles Michelangelo's Last Judgement in the Sistine Chapel. There are very close similarities. There is no indication that Klontzas saw the work but it is a possibility. According to the Institute of Neohellenic Research fifty-four items of his art exist today. More on Georgios Klontzas

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1 Russian Icon, Sano di Pietro's Madonna and Child, with footnotes #10

Sano di Pietro

Madonna and Child, Siena 1406 - 1481

Tempera on panel

7 3/8 by 6 1/8 in.; 18.8 by 15.6 cm.

Private collection

This work in particularly displays an extremely refined and very high level of craftsmanship, probably reinforced by Pietro's work as a miniaturist for major institutions like the Opera Metropolitana di Siena, and the monastery of Monte Oliveto Maggiore. In this small-scale devotional painting the Virgin appears in half-length in front of a gold background as she bends her head gently toward the Christ Child whom she supports on her right arm. The infant is dressed in a yellow tunic and a long red cloak. The delicate treatment of the faces, sharp nose, and pronounced chin of the Virgin are typical of the artist’s style. More on this Icon

Sano di Pietro or Ansano di Pietro di Mencio (1406–1481) was an Italian painter of the Sienese school of painting. He was active for about half a century during the Quattrocento period, and his contemporaries included Giovanni di Paolo and Sassetta.

Sano was born in 1406. His name enters the roll of painters in 1428 where it remained until his death in 1481. In addition to his own painting and overseeing the pupils and assistants in his workshop, Sano was also part of the civic fabric of Siena, in 1431 and 1442 he was the leader of the San Donato district of Siena. Sano was also employed as an arbitrator; in 1475 he was called upon to settle a dispute between fellow painters Neroccio di Bartolommeo and Francesco di Giorgio Martini.

It was, however, as a painter that he made his living. The workshop he ran produced huge number of artworks. He wasn't merely a painter of altar pieces. He also produced frescoes, miniatures, and book bindings. Sano died in 1481. More on Sano di Pietro

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1 Russian Icon, Saint Athanasius of Alexandria, Saint Nicholas and Saint Charalambos, with footnotes #6

Saint Athanasius of Alexandria, Saint Nicholas and Saint Charalambos

An icon painted in two registers. Greece, 1744 Heavy Softwood single panel. Egg tempera on gesso (gypsum), Konturritzungen, partially gilded. In the upper frame a full figure enthroned Christ flanked by the Virgin Mary and John the Baptist. The underlying three selected saints: St. Athanasius, St. Nicholas and St. Charalampi.... The upper frame is dated '1744' '. 36.4 x 26.6 cm .

Saint Athanasius of Alexandria (c. 296–298 – 2 May 373), was the twentieth bishop of Alexandria (as Athanasius I). His episcopate lasted 45 years (c. 8 June 328 – 2 May 373), of which over 17 were spent in five exiles ordered by four different Roman emperors. Athanasius is a renowned Christian theologian, a Church Father, the chief defender of Trinitarianism against Arianism, and a noted Egyptian leader of the fourth century.

Conflict with successive Roman emperors shaped Athanasius's career. In 325, at the age of 27, Athanasius began his leading role against the Arians as his bishop's assistant during the First Council of Nicaea. Roman emperor Constantine the Great had convened the council in May–August 325 to address the Arian position that the Son of God, Jesus of Nazareth, is of a distinct substance from the Father. Three years after that council, Athanasius succeeded his mentor as archbishop of Alexandria. In addition to the conflict with the Arians (including powerful and influential Arian churchmen led by Eusebius of Nicomedia), he struggled against the Emperors Constantine, Constantius II, Julian the Apostate and Valens. He was known as "Athanasius Contra Mundum" (Latin for Athanasius Against the World). More on Saint Athanasius of Alexandria

Arianism is a nontrinitarian belief which asserts that Jesus Christ is the Son of God, but is entirely distinct from and subordinate to God the Father. Arianism is defined as those teachings attributed to Arius, which are in opposition to current mainstream Christian teachings on the nature of the Trinity and the nature of Christ. It was first attributed to Arius (c. AD 250–336), a Christian presbyter in Alexandria, Egypt. The Arian concept of Christ is that the Son of God did not always exist, but was created by—and is therefore distinct from—God the Father. This belief is grounded in the Gospel of John (14:28) passage: "You heard me say, 'I am going away and I am coming back to you.' If you loved me, you would be glad that I am going to the Father, for the Father is greater than I." More on Arianism

Saint Nicholas (15 March 270 – 6 December 343), also called Nikolaos of Myra, was a historic 4th-century Christian saint and Greek Bishop of Myra, in modern-day Demre, Turkey). He had a reputation for secret gift-giving, such as putting coins in the shoes of those who left them out for him, a practice celebrated on his feast day―St Nicholas Day (6 December, and thus became the model for Santa Claus, whose modern name comes from the Dutch Sinterklaas, itself from a series of elisions and corruptions of the transliteration of "Saint Nikolaos". His reputation evolved among the faithful, as was common for early Christian saints. In 1087, part of his relics (about half of his bones) were furtively transported to Bari, in Apulia, Italy; for this reason, he is also known as Nikolaos of Bari. The remaining bones were taken to Venice in 1100.

Saint Nicholas is the patron saint of sailors, merchants, archers, repentant thieves, children, brewers, pawnbrokers and students in various cities and countries around Europe. More on Saint Nicholas

Saint Charalambos was an early Christian bishop in Magnesia, a region of Asia Minor. He lived during the reign of Septimius Severus (193-211), when Lucian was Proconsul of Magnesia. It is believed that at the time of his martyrdom in 202, Charalambos was 113 years old.

Charalambos spread the Gospel in that region for many years. However, when news of his preaching reached the authorities of the area, the proconsul Lucian and military commander Lucius, the saint was arrested and brought to trial, where he confessed his faith in Christ and refused to offer sacrifice to idols.

Despite his advanced age, he was tortured mercilessly. They lacerated his body with iron hooks, and scraped all the skin from his body. The saint had only one thing to say to his tormentors: "Thank you, my brethren, for scraping off the old body and renewing my soul for new and eternal life."

More tortures, the legend says, were wrought upon the saint after he was brought to Septimius Severus himself. Condemned to death and led to the place of execution, Charalambos prayed that God grant that the place where his relics would repose would never suffer famine or disease. After praying this, the saint gave up his soul to God even before the executioner had laid his sword to his neck. Tradition says that Severus' daughter Gallina[4] was so moved by his death, that she was converted and buried Charalambos herself. More on Saint Charalambos

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1 Russian Icon, Saints Sergey and Barlaam kneeling at the feet of Jesus Christ, with footnotes #9

Unknown artist

Eastern Europe, Russia, ca. 19th century CE

Saints Sergey and Barlaam kneeling at the feet of Jesus Christ

Egg tempera on gesso atop wood

10" W x 12.25" H (25.4 cm x 31.1 cm)

Private collection

An icon portraying Saints Sergey and Barlaam kneeling at the feet of Jesus Christ who stands on a small plinth. Jesus wears flowing red vestments beneath a dark-blue robe, holds the open Holy Gospel in his left hand, reaches his right hand toward Saint Sergey, and has a coronal halo behind his gentle visage. Saints Sergey and Barlaam wear burgundy-hued robes atop citrine robes and reach out toward Christ as if awed by his radiance. Both saints have their respective names displayed above their heads, and Christ's monogram 'IC XC' flanks either side of his head. The venerated scene is framed with a dark-brown border and a thin yellow stripe that imbues this icon with a holy presentation indicative of the Russian Orthodoxy. More on this Icon

Sergius is well-known for his visions of the Trinitarian mystery, whose messages he advocated, and is believed to be the first Russian saint to record his visions of the Mother of God. He is also the founder of the Monastery of the Holy Trinity near Moscow. Barlaam is famous for being named as the first abbot of the Pecherska Lavra Monastery in Kiev around 1057 CE.. More on Sergius

Barlaam is famous for being named as the first abbot of the Pecherska Lavra Monastery in Kiev around 1057 CE. More on Saints Sergey and Barlaam

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1 Religious Icon, Luca Signorelli's Saint Nicholas of Bari saving three knights, with footnotes #11

Luca Signorelli

Saint Nicholas of Bari saving three knights from execution, Cortona circa 1450 - 1523

Oil on panel

10 5/8 by 8 3/4 in.; 27 by 22.2 cm. 

Private collection

Sold for 176,400 USD in January 2022

The reign of Constantine The Great was not always stable. Borders had to be protected, laws enforced and if unrest broke out or even a sniff of conspiracy surfaced, Constantine also dealt with these matters seriously and harshly. Often though he left law enforcement in regional centres to be carried out by governors and local authorities.

In the story of the three condemned innocents, the corrupt prefect Eustathios had accepted bribes to bring about the deaths of three men. As word had spread of the planned execution of these three innocent men, Nicholas made it his business to save them and headed for where a great crowd had gathered to watch the executioner about to swing his sword across the neck of the first man. Arriving on the scene, he was disgusted to see the three men kneeling, heads bowed and their hands tied behind their back. Nicholas then stepped in front of the executioner and grabbed the sword from him and threw it to the ground. The courageous bishop was not one to be intimidated by the power of others, especially the power of the corrupt. Nicholas then stormed into the prefect’s office and demanded that the charges against the three men be dropped. Nicholas also threatened to inform the Emperor of the prefect’s involvement in the crime against the innocent men. Frightened, Eustathios begged Nicholas for forgiveness and quickly pardoned the three condemned innocents. More on Saint Nicholas of Bari saving three knights from execution

Saint Nicholas (15 March 270 – 6 December 343), also called Nikolaos of Myra, was a historic 4th-century Christian saint and Greek Bishop of Myra, in Asia Minor. Because of the many miracles attributed to his intercession, he is also known as Nikolaos the Wonderworker. His reputation evolved among the faithful, as was common for early Christian saints, and his legendary habit of secret gift-giving gave rise to the traditional model of Santa Claus through Sinterklaas.

 

The historical Saint Nicholas, as known from strict history: He was born at Patara, Lycia in Asia Minor. In his youth he made a pilgrimage to Egypt and the Palestine area. Shortly after his return he became Bishop of Myra and was later cast into prison during the persecution of Diocletian. He was released after the accession of Constantine and was present at the Council of Nicaea. 

 

He was buried in his church at Myra, and by the 6th century his shrine there had become well-known. In 1087 Italian sailors or merchants stole his alleged remains from Myra and took them to Bari, Italy; this removal greatly increased the saint’s popularity in Europe, and Bari became one of the most crowded of all pilgrimage centres. Nicholas’s relics remain enshrined in the 11th-century basilica of San Nicola at Bari. More of Saint Nicholas

Luca Signorelli (c. 1445 – 16 October 1523) was an Italian Renaissance painter who was noted in particular for his ability as a draughtsman and his use of foreshortening. His massive frescoes of the Last Judgment (1499–1503) in Orvieto Cathedral are considered his masterpiece. More on Luca Signorelli

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1 Russian Icon, Saint Nicholas the Wonderworker, with footnotes #8

Artist unknown

Saint Nicholas the Wonderworker

Egg tempera and gold leaf on wood

14" W x 17.5" H (35.6 cm x 44.4 cm)

Private collection

Saint Nicholas of Myra (traditionally 15 March 270 – 6 December 343),  was an early Christian bishop of the ancient Greek city of Myra in Asia Minor during the time of the Roman Empire. Saint Nicholas is the patron saint of sailors, merchants, archers, repentant thieves, children, brewers, pawnbrokers, and students in various cities and countries around Europe. His reputation evolved among the faithful, as was common for early Christian saints, and his legendary habit of secret gift-giving gave rise to the traditional model of Santa Claus ("Saint Nick") through Sinterklaas.

Very little is known about the historical Saint Nicholas. The earliest accounts of his life were written centuries after his death. He is said to have been born in Patara, Lycia in Asia Minor to wealthy Christian parents. In one of the earliest attested and most famous incidents from his life, he is said to have rescued three girls from being forced into prostitution by dropping a sack of gold coins through the window of their house each night for three nights so their father could pay a dowry for each of them. He was cast into prison during the persecution of Diocletian, but was released after the accession of Constantine. An early list makes him an attendee at the First Council of Nicaea in 325, but he is never mentioned in any writings by people who were actually at the council. Late, he was temporarily defrocked and imprisoned during the Council for slapping the heretic Arius. Another famous late legend tells how he resurrected three children who had been murdered and pickled in brine by a butcher planning to sell them as pork during a famine. More on Saint Nicholas

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1 Icon, Sir Robert James Philipson's Iconostasis, with footnotes #7

SIR ROBIN PHILIPSON R.A., P.R.S.A., R.S.W., R.G.I. (BRITISH, 1916-1992)

Iconostasis

Oil on canvas

77 x 96cm (30 5/16 x 37 13/16in)

Private collection

Sir Robert (Robin) James Philipson RA RSA FRSE RSW (1916–1992) was a Lancashire-born painter who was influential within the Scottish art scene for over three decades.

He was then schooled at Dumfries Academy and then studied at Edinburgh College of Art from 1936 to 1940. On the outbreak of the Second World War he joined the King's Own Scottish Borderers and was posted to India, seeing action in Burma. After the war, he returned to Edinburgh and became a lecturer at the College of Art in 1947, later taking the post of Head of the Drawing and Painting Department from 1960 to 1982.

Philipson's early work was mainly of landscapes, still lifes and interiors. He was strongly influenced by Gillies and Maxwell, with whom, amongst others, he shared membership of the group known as The Edinburgh School. He is particularly renowned for his cockfight paintings, a series begun in the early 1950s. His later work in the 1960s explored more general figurative studies plus church and cathedral interiors and crucifixions.

Philipson was well known for his bold use of colour and his liberal use of heavy impasto in his works. He was appointed as President of the Royal Scottish Academy in 1973, a position he held until 1983.

Philipson received four honorary doctorates: DUniv (from both Stirling and Heriot Watt); LLD (from Aberdeen}; and Dlitt (from Glasgow). In 1977 he was elected a Fellow of the Royal Society of Edinburgh. His proposers were John Cameron, Lord Cameron, Alick Buchanan-Smith, Anthony Elliot Ritchie, R. Martin and S. Smellie.

He also received many honours during his career, including a knighthood in 1976 for his services to art in Scotland.

He died in Edinburgh on 26 May 1992.hire-born painter who was influential within the Scottish art scene for over three decades. More on Sir Robert

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