Friday, July 15, 2022

1 Religious Icon, George Klontzas' Three Church Hierarchs, with footnotes #12

George Klontzas (1540 – circa 1608)
Three Church Hierarchs; St Basil The Great, St John Chrysostom and St Gregory the Theologian, Cretan, late 16th century
Tempera on wood
Private collection

The Saints are depicted against a gold ground, in frontal position with elongated bodies and relatively small heads, each making a blessing gesture and holding a jewelled closed Book of Gospels, robed in precious bishop's garments with striking geometric ornament of crosses set within squares and circles of a type worn during the Byzantine period. More on this painting

The Three Hierarchs of Eastern Christianity refers to Basil the Great, Gregory the Theologian and John Chrysostom. They were highly influential bishops of the early church who played pivotal roles in shaping Christian theology. In Eastern Christianity they are also known as the Three Great Hierarchs and Ecumenical Teachers, while in Roman Catholicism the three are honored as Doctors of the Church. The three are venerated as saints in Eastern Orthodoxy, Catholicism, Anglicanism, and other Christian churches. More on Three Church Hierarchs

Basil of Caesarea, also called Saint Basil the Great (330[8] – January 1 or 2, 379), was a Byzantine bishop of Caesarea Mazaca in Cappadocia, Asia Minor (modern-day Turkey). He was an influential theologian who supported the Nicene Creed and opposed the heresies of the early Christian church, fighting against both Arianism and the followers of Apollinaris of Laodicea. His ability to balance his theological convictions with his political connections made Basil a powerful advocate for the Nicene position.

In addition to his work as a theologian, Basil was known for his care of the poor and underprivileged. More on Basil of Caesarea

John Chrysostom ( 347 – 14 September 407) was an important Early Church Father who served as archbishop of Constantinople. He is known for his preaching and public speaking, his denunciation of abuse of authority by both ecclesiastical and political leaders, Divine Liturgy of Saint John Chrysostom, and his ascetic sensibilities. Chrysostom was among the most prolific authors in the early Christian Church.

He is honoured as a saint in the Oriental Orthodox, Eastern Orthodox, Catholic, Anglican, and Lutheran churches, as well as in some others. The Eastern Orthodox, together with the Byzantine Catholics, hold him in special regard as one of the Three Holy Hierarchs (alongside Basil the Great and Gregory of Nazianzus). More on John Chrysostom 

Gregory of Nazianzus (329 – 25 January 390), also known as Gregory the Theologian or Gregory Nazianzen, was a 4th-century Archbishop of Constantinople and theologian. He is widely considered the most accomplished rhetorical stylist of the patristic age. As a classically trained orator and philosopher he infused Hellenism into the early church, establishing the paradigm of Byzantine theologians and church officials, More on Gregory of Nazianzus

Georgios Klontzas (1535-1608) was a scholar, painter, and manuscript illuminator. He is one of the most influential artists of the post-Byzantine period. He defined the Cretan Renaissance. He worked for both Catholic and Orthodox patrons. His artistic output included: icons, miniatures, triptychs, and illuminated manuscripts. He is known for occupying his icons with countless figures. The technique is extremely complex and unique to Klontzas. Andreas Pavias attempted this technique in the Crucifixion of Jesus. Klontzas's painting All Creation rejoices in thee is his most popular work. Klontzas influenced Theodore Poulakis he created an extremely similar painting called In Thee Rejoiceth. Klontzas's work is strongly influenced by the Venetian school. His triptychs strongly resemble the works of Gentile da Fabriano, namely the Intercession Altarpiece. Klontzas's Last Judgement resembles Michelangelo's Last Judgement in the Sistine Chapel. There are very close similarities. There is no indication that Klontzas saw the work but it is a possibility. According to the Institute of Neohellenic Research fifty-four items of his art exist today. More on Georgios Klontzas




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Saturday, July 9, 2022

1 Russian Icon, Sano di Pietro's Madonna and Child, with footnotes #10

Sano di Pietro
Madonna and Child, Siena 1406 - 1481
Tempera on panel
7 3/8 by 6 1/8 in.; 18.8 by 15.6 cm.
Private collection

This work in particularly displays an extremely refined and very high level of craftsmanship, probably reinforced by Pietro's work as a miniaturist for major institutions like the Opera Metropolitana di Siena, and the monastery of Monte Oliveto Maggiore. In this small-scale devotional painting the Virgin appears in half-length in front of a gold background as she bends her head gently toward the Christ Child whom she supports on her right arm. The infant is dressed in a yellow tunic and a long red cloak. The delicate treatment of the faces, sharp nose, and pronounced chin of the Virgin are typical of the artist’s style. More on this Icon

Sano di Pietro or Ansano di Pietro di Mencio (1406–1481) was an Italian painter of the Sienese school of painting. He was active for about half a century during the Quattrocento period, and his contemporaries included Giovanni di Paolo and Sassetta.

Sano was born in 1406. His name enters the roll of painters in 1428 where it remained until his death in 1481. In addition to his own painting and overseeing the pupils and assistants in his workshop, Sano was also part of the civic fabric of Siena, in 1431 and 1442 he was the leader of the San Donato district of Siena. Sano was also employed as an arbitrator; in 1475 he was called upon to settle a dispute between fellow painters Neroccio di Bartolommeo and Francesco di Giorgio Martini.

It was, however, as a painter that he made his living. The workshop he ran produced huge number of artworks. He wasn't merely a painter of altar pieces. He also produced frescoes, miniatures, and book bindings. Sano died in 1481. More on Sano di Pietro



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Friday, July 1, 2022

1 Russian Icon, Saint Athanasius of Alexandria, Saint Nicholas and Saint Charalambos, with footnotes #6

Saint Athanasius of Alexandria, Saint Nicholas and Saint Charalambos

An icon painted in two registers. Greece, 1744 Heavy Softwood single panel. Egg tempera on gesso (gypsum), Konturritzungen, partially gilded. In the upper frame a full figure enthroned Christ flanked by the Virgin Mary and John the Baptist. The underlying three selected saints: St. Athanasius, St. Nicholas and St. Charalampi.... The upper frame is dated '1744' '. 36.4 x 26.6 cm .

Saint Athanasius of Alexandria (c. 296–298 – 2 May 373), was the twentieth bishop of Alexandria (as Athanasius I). His episcopate lasted 45 years (c. 8 June 328 – 2 May 373), of which over 17 were spent in five exiles ordered by four different Roman emperors. Athanasius is a renowned Christian theologian, a Church Father, the chief defender of Trinitarianism against Arianism, and a noted Egyptian leader of the fourth century.

Conflict with successive Roman emperors shaped Athanasius's career. In 325, at the age of 27, Athanasius began his leading role against the Arians as his bishop's assistant during the First Council of Nicaea. Roman emperor Constantine the Great had convened the council in May–August 325 to address the Arian position that the Son of God, Jesus of Nazareth, is of a distinct substance from the Father. Three years after that council, Athanasius succeeded his mentor as archbishop of Alexandria. In addition to the conflict with the Arians (including powerful and influential Arian churchmen led by Eusebius of Nicomedia), he struggled against the Emperors Constantine, Constantius II, Julian the Apostate and Valens. He was known as "Athanasius Contra Mundum" (Latin for Athanasius Against the World). More on Saint Athanasius of Alexandria

Arianism is a nontrinitarian belief which asserts that Jesus Christ is the Son of God, but is entirely distinct from and subordinate to God the Father. Arianism is defined as those teachings attributed to Arius, which are in opposition to current mainstream Christian teachings on the nature of the Trinity and the nature of Christ. It was first attributed to Arius (c. AD 250–336), a Christian presbyter in Alexandria, Egypt. The Arian concept of Christ is that the Son of God did not always exist, but was created by—and is therefore distinct from—God the Father. This belief is grounded in the Gospel of John (14:28) passage: "You heard me say, 'I am going away and I am coming back to you.' If you loved me, you would be glad that I am going to the Father, for the Father is greater than I." More on Arianism

Saint Nicholas (15 March 270 – 6 December 343), also called Nikolaos of Myra, was a historic 4th-century Christian saint and Greek Bishop of Myra, in modern-day Demre, Turkey). He had a reputation for secret gift-giving, such as putting coins in the shoes of those who left them out for him, a practice celebrated on his feast day―St Nicholas Day (6 December, and thus became the model for Santa Claus, whose modern name comes from the Dutch Sinterklaas, itself from a series of elisions and corruptions of the transliteration of "Saint Nikolaos". His reputation evolved among the faithful, as was common for early Christian saints. In 1087, part of his relics (about half of his bones) were furtively transported to Bari, in Apulia, Italy; for this reason, he is also known as Nikolaos of Bari. The remaining bones were taken to Venice in 1100.

Saint Nicholas is the patron saint of sailors, merchants, archers, repentant thieves, children, brewers, pawnbrokers and students in various cities and countries around Europe. More on Saint Nicholas

Saint Charalambos was an early Christian bishop in Magnesia, a region of Asia Minor. He lived during the reign of Septimius Severus (193-211), when Lucian was Proconsul of Magnesia. It is believed that at the time of his martyrdom in 202, Charalambos was 113 years old.

Charalambos spread the Gospel in that region for many years. However, when news of his preaching reached the authorities of the area, the proconsul Lucian and military commander Lucius, the saint was arrested and brought to trial, where he confessed his faith in Christ and refused to offer sacrifice to idols.

Despite his advanced age, he was tortured mercilessly. They lacerated his body with iron hooks, and scraped all the skin from his body. The saint had only one thing to say to his tormentors: "Thank you, my brethren, for scraping off the old body and renewing my soul for new and eternal life."

More tortures, the legend says, were wrought upon the saint after he was brought to Septimius Severus himself. Condemned to death and led to the place of execution, Charalambos prayed that God grant that the place where his relics would repose would never suffer famine or disease. After praying this, the saint gave up his soul to God even before the executioner had laid his sword to his neck. Tradition says that Severus' daughter Gallina[4] was so moved by his death, that she was converted and buried Charalambos herself. More on Saint Charalambos





Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceMiddle East Artists365 Saints and 365 Days, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

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Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.